A Design News

A Design News featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Graphic

Explore 745 award-winning designs tagged Graphic on A Design News.

Role Corporate Identity

Pedro Panetto Corporate Identity Graphic

Role

Role is a corporate identity designed for a video production agency. The identity works in motion and in still formats. The symbol is built on a rectangular shape, inspired by the rectangular forms common in cameras, clapboards and screens. The letter o is cut in half, recalling old film rolls. In motion, the symbol rolls continuously, linking the mark to the name Role, which comes from a Portuguese verb meaning to roll. All printed pieces were made using the Golden Ratio. The identity conveys energy and movement across many applications.

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Diplomatic Relations Visual Identity

Salvita Bingelyte Visual Identity Graphic

Diplomatic Relations

Diplomatic Relations is a logo created for the German Embassy in Vilnius. The design symbolizes the ties between Lithuania and Germany. Inspired by the tricolor national flags, three check marks were drawn for each country in the colors of its flag. The marks run as two parallel sides, like train tracks that move apart and then come together again. The red check marks are combined to represent friendship and unity. The colored symbol is placed on a white background and can be applied to stationery, outdoor advertising and corporate gifts. Repeating the symbol in a line forms a pattern.

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R Gate Emblem Corporate Identity

Riiid Inc. Corporate Identity Graphic

R Gate Emblem

R Gate Emblem is a corporate identity design created for an education technology company. The emblem is based on a keyhole motif. A white negative shape of the letter R sits inside a deep blue square and forms a gate. The gate is a visual metaphor for a doorway that opens the world of education and shares new learning experiences. Deep ocean blue is the primary color. The letter R also serves as the base measuring unit for a matching typeface in two weights. The identity system is applied to online and offline materials.

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Seawool Branding Project

ChungSheng Chen Branding Project Graphic

Seawool

The brand that blends fashion and sustainability, integrating recycled oyster shells with professional techniques and style into everyday life. The logo, presented in uppercase, symbolized a spirit of continuous innovation and the double letter o represents circular sustainability, signified perpetual renewal. The overall design exudes elegance, representing a pursuit of fashion and quality. The standard font integrates elements of waves and upward motion, shows her respect for nature and ongoing progress. The brand is vibrant, innovative and a leader in both fashion and environmental trends.

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Y Design Visual Identity

Lin Hai Visual Identity Graphic

Y Design

Using Escher's optical illusion principle, a cuboid is drawn along the Y axis of the structural line, and the same cuboid is duplicated on the X and Z axes, so that the endpoints of the three cuboids are completely overlapped, and a geometric Y letter can be formed on a projection plane. Through different combinations, different optical illusions are generated, and more spatial imagination is derived, conveying the positioning of Y Studio's research in different spaces.

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Futuristic City Concept Art Illustration

Yuwei (Rita) Li Concept Art Illustration Graphic

Futuristic City

Futuristic City envisions a future city where futuristic architecture incorporates elements of art deco, art nouveau, and historical styles, creating a fusion of classic aesthetics and innovation. This project also explores the fusion of architectural styles and the human-centric approach in futuristic city design. By adding classic aesthetic elements and a humane touch, this series aim to create a captivating visual experience. It challenges the conventional depiction of white and high-tech sci-fi cities and showcases the rich history of architectural design.

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Wayang Golek Cultural Communication

Mengyao GUO Cultural Communication Graphic

Wayang Golek

Wayang Golek is a graphic poster series based on the traditional Indonesian puppet theatre of the same name. The series presents the puppets through bold colours, intricate patterns and strong typography drawn from Indonesian art. The illustrations were created as vector graphics in Adobe Illustrator, using colour blocking for vibrant hues and detailed pattern work for the motifs. The digital format allows the artwork to be scaled and shared across screens without loss of quality. The aim is to renew interest in Wayang Golek among younger audiences.

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Save Calendar Illustration

Mengjia Li Illustration Graphic

Save Calendar

Save Calendar is a series of illustrations created for a calendar on the theme of saving food. The illustrations show a farm field through the four seasons of spring, summer, autumn and winter. Colors change with each season, so the four periods are easy to tell apart. A symmetrical composition in a Chinese style gives the images a modern look. Month and season information is placed at the top of each sheet. The drawings were made with computer software and printed at 800 by 800 millimeters. The series shows the hard work of farmers and reminds people to value food.

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Sanat Visual Identity Design

Tamer El-Menyawi Visual Identity Design Graphic

Sanat

Sanat is a visual identity designed for an interior design and decoration company. The design is based on minimalism and abstraction. Simple lines form the letter S in a modern way. The golden ratio guides the proportions of these lines. A single hue is used in several tones throughout the identity. The reduced form is intended to convey the message of the company in a clear and direct way. The identity reflects the vision and the design approach of the company. The project was completed in about two weeks in February 2020.

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Journey to Fun Playful Hospital Wayfinding

Children's Hospital Wayfinding Team Playful Hospital Wayfinding Graphic

Journey to Fun

Queensland Children's Hospital needed to enhance their Entertainment Precinct’s branded identity; facilitate a joyful experience within that distracts families from illness; and improve its wayfinding for locating services. The designer addressed this through uniquely incorporating playground games into wayfinding. The visual design complements integrates architecture and environment. The co-design and interdisciplinary approach with stakeholders, key to the project success, is also unique.

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Happetsy Brand Identity

Anamarija Leljak Brand Identity Graphic

Happetsy

Happetsy is a brand identity created for a pet products company. The design combines an old-school retro style with modern minimalism. The retro character is expressed through the color palette, a handwritten typeface, and polka dot patterns. Clean layouts, open spaces, and a sans serif typeface add a fresh modern touch. The logo pairs an illustration of a cat and a dog with a rectangle, a shape linked to stability and loyalty. All graphics were drawn as vectors and delivered in RGB, CMYK, and Pantone colors for a consistent appearance across all media.

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Artificial Intelligence In Design Event Marketing Material

Min Huei Lu Event Marketing Material Graphic

Artificial Intelligence In Design

The graphic design provides a visual representation of how artificial intelligence can become an ally for designers in the near future. It provides insights into how AI can help in personalizing the experience for the consumer, and how creativity sits in the crosshairs of art, science, engineering, and design. Artificial Intelligence In Graphic Design Conference is a 3-day event in San Francisco, CA in November. Each day there is a design workshop, talks from different speakers.

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