Graphic

Explore 745 award-winning designs tagged Graphic on A Design News.

Designer: ChungSheng Chen Work: Exhibition Visual Identity Tag: Graphic

Viewpoints

Viewpoints is the visual identity of a street furniture design exhibition held in Tainan. The identity connects the 400 year history of Tainan with contemporary culture and alleyway life. Hand drawn illustrations and simple pen style outlines show people, objects and spaces in daily interaction. The color palette is taken from local architecture, including red brick, pale yellow walls and warm accent tones. The design is applied to posters, guidebooks, signage, social media and digital installations, and each format is adjusted to keep the presentation consistent.

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Designer: Cheng-Hui Chiu Work: Rebranding Tag: Graphic

Texture Maker

Texture Maker, positioned as an expert in food texture design, has redefined its brand strategy and identity to support global expansion. Built on food science and design expertise, the new system reflects the mission to create standout products with clients. Through months of in depth discussions with external branding teams, it highlights the ability to lead trends, deliver diverse solutions, and craft products that inspire delightful and surprising culinary experiences worldwide.

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Designer: Meng Shenhui Work: Space Visual Design Tag: Graphic

SDI Teaching Building

SDI Teaching Building is a spatial visual design for the interior of a six floor teaching building. Large scale walls are combined with large scale text to replace an empty and rigid atmosphere with a creative one. A classic German typeface echoes the German teaching model of the design school. DIN, the standard typeface of German road signs, marks guiding information, while Futura is used for other text. Fine wall paint is applied up to five meters, with overlapping colors and stacked letters. Some text is made of acrylic to create a contrast of materials.

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Designer: Xiaobing Cheng Work: Corporate Logo Tag: Graphic

Cloud Living Room

Cloud Living Room is a corporate logo created for an urban exhibition and reception space in Shenzhen. The mark is centered on the idea of a window, framing a view of the city and its future. The modular form is drawn from the opening movement of windows, and it also recalls the slider components used in technological interactions. The logo is built on the golden ratio and is printed with Pantone spot colors. The design aims to express openness and to connect urban culture with technology.

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Designer: Marko Stanojevic Work: Brand Identity Tag: Graphic

What Next

Final visual outcome is reached by taking a symbol and turning it into a question mark by placing it on a smaller square below (an extracted 1/4 piece of a big square above it) and putting it on a tipping point while remaining in balance, creating a visual sensation of tension with a minimal rearrangement of elements. What Next logo, as well as the name, are in a way an oxymoron, a question and an answer both at once, creating friction. On its own, logo-sign is a simple, deliberate imperfection and a straight-forward communication vessel, striving to create a lot with little effort invested.

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Designer: Daichi Takizawa Work: Visual Identity Tag: Graphic

Honki Factory

The concept is Opening the Path, The Honki Way. It defines Honki as Seriousness, as having a clear goal and taking concrete steps toward it. Those who master the structured approach to business development can use it to create new paths. The desire to foster many Honki individuals is represented in the H shaped frame, symbolizing structure, and the logotype, inspired by a factory, representing production. The variable design of the symbol and font reflects adaptability across all industries and fields.

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Designer: Cansu Dagbagli Ferreira Work: Branding Tag: Graphic

Onshore Roasters

Onshore Roasters brand identity reflects the harmony of luxury, nature, and sustainability. The logo unites a coffee bean, sunbeams, and waves, embodying the ritual of a perfect morning at sea. A carefully chosen earthy palette and recycled paper packaging reinforce the commitment of the brand to elegance and eco conscious values. Inspired by the yachting lifestyle, the design balances simplicity and sophistication, creating a seamless connection between quality coffee and the open waters.

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Designer: Vahid Mirzaei Work: Educational Graphic Posters Tag: Graphic

Endangered Animal Atlas

Endangered Animal Atlas is a series of educational posters that presents 52 endangered animals. Each animal is illustrated with its English name and its conservation status. The posters support Persian speakers who are learning English, and they also inform readers about the state of wildlife. The illustrations are made with digital painting in a two-color scheme, which keeps every image simple and clear. Each poster measures 100 by 100 centimeters. The series joins vocabulary learning with information about species protection.

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Designer: Vahid Mirzaei Work: Poster Tag: Graphic

Omar Khayyam

Omar Khayyam is a series of urban posters that present the poetry of the Persian poet Omar Khayyam. The posters mark the 975th anniversary of the poet's birth. Each poster combines Persian typography with an English translation placed in the upper left area. The type design draws on classical Persian calligraphy and is refined for legibility in busy public settings. Each poster measures 150 by 107 centimeters and uses CMYK color at 300 dpi. The series was shown in metro stations and other public spaces in Tehran.

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Designer: Paul Robb Work: Typeface Tag: Graphic

Rotary Sans

Rotary Sans is an OpenType sans-serif typeface with geometric structures and slight shape variations. It includes pear-shaped ink traps that aid legibility and add a distinct visual element. The typeface provides a full Latin glyph set, plus alternative characters and ligatures, for various typographic uses. Its design emphasizes clarity and consistency, suitable for contexts such as branding. Rotary Sans comes in multiple weights and styles, usable in both digital and print formats where legibility and uniform appearance are needed.

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Designer: Xuguang Zhu Work: Brand Identity Tag: Graphic

Zuojiang Huashan Day

Zuojiang Huashan Day is a brand identity created for a cultural event that presents Huashan rock art, a World Heritage site in Guangxi, China. The identity combines motifs from the 2000 year old carvings with contemporary graphic design. Frog-shaped figures and bronze drum patterns form a coherent visual system, and the pinyin for Huashan is styled to recall cliff carving textures. Printed items include posters, paper bags, business cards, a rock art directory and silicone wristbands. The aim is to make the heritage site legible to a global audience.

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Designer: Ma Lan Work: Brand Design Tag: Graphic

Zhanlu Tea

Zhanlu is a brand and packaging design for a herbal tea created for the Mausoleum of the Yellow Emperor. The concept draws on the image of morning dew in classical Chinese poetry, suggesting purity and light nourishment. The blend combines monk fruit, licorice, ophiopogon, raspberry, and Solomon's seal, following the traditional principle that sour and sweet flavors together help generate moisture. Each 5 g tea bag is sealed in a moisture proof sachet. Coated paperboard cartons use offset printing and hot stamping with Han inspired graphics.

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