Graphic

Explore 745 award-winning designs tagged Graphic on A Design News.

Designer: Liying Wang Work: Corporate Identity Tag: Graphic

Bitter Plus Sweet

The Bitter plus Sweet corporate identity reimagines craft coffee aesthetics through a dual read monogram. Inspired by the duality of coffee, balancing strength and softness, the design merges a geometric heart with the brand initials. A structural B denotes bitter roasts, while an S conveys sweetness. Engineered on a strict mathematical grid, the scalable logo utilizes an organic palette of Espresso Brown and Sage Green. This approach subverts industrial cliches, engaging consumers with a rewarding hidden visual narrative.

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Designer: HE LIU Work: Corporate Identity Tag: Graphic

Tibet Shannan

Tibet Shannan project aimed at promoting the tourism industry in Shannan. By creating a representative logo to extend the impression of the city through systematic products and tourist guides. The inspiration for the logo is drawn from the features of Shannan and simplified into symbols through contemporary art. The logo itself is versatile and scalable, able to seamlessly integrate into different products. This work hopes to bring a positive and interesting energy to the audience, better meeting the needs of the modern market and helping this ancient city showcase its diverse aspects.

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Designer: Shenzhen Lightcone Design Co., Ltd. Work: Visual Design Tag: Graphic

The Fulcrum

The Fulcrum is a visual identity system created for a design company. The system is inspired by the light cone, a spacetime model in physics, and by the gyroscope. The gyroscope symbolizes inner steadiness, while the light cone suggests broad creative possibilities. A color scheme of black, white, and red is used, where black stands for logical thinking, white for pure design, and red for passion. An accompanying poster series is produced with a three-dimensional spray painting process to create layered graphics. Each poster measures 1000 mm in width and 1800 mm in height.

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Designer: Lia Jiyun Kim Work: Corporate Identity Tag: Graphic

We Belong Here

We Belong Here is an interactive exhibition branding concept for Otis Design Week that encourages cross-cultural collaboration. Through customized tops, students can express their identities, foster communication, and build a community that transcends language and cultural barriers. This tool promotes inclusivity and equality, making it a valuable addition to any educational program.

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Designer: Nima Emamverdi Work: Corporate Identity Tag: Graphic

Seen

The logo design utilizes the lowercase serif letter e, as a primary geometric building block to represent the form of eyewear. By mirroring the characters, the design creates a symmetrical balance that mimics a frame structure. Modern serif elements are transformed into functional bridges, connecting the circular motifs that symbolize both the eye and the lens. This minimalist visual system allows for adjustable spacing between elements, ensuring high legibility and adaptability across various scales, from small product engravings to large-format displays.

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Designer: Jijing Ju Work: Illustration Tag: Graphic

Ancient Village

Old Town of Lijiang is a series of illustrations created to present and protect the culture of an ancient town in China. The illustrations show cultural heritage elements, local scenes and layered colours in a national style. Each image is drawn with vector design software at 800 by 800 millimetres and reproduced with high quality printing technology. The series shares the natural and human heritage of Lijiang in a visual language suited to modern taste. The aim is to raise public awareness of traditional village culture and its protection.

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Designer: akomi Work: Logo And Launch Campaign Tag: Graphic

Italian Capital of Culture 2023

One logo shared by two different cities (Bergamo and Brescia, united as year 2023 Italian Capital of Culture) inspired to the pop culture and designed to evolve during time. The whole geometry is based on bending of linear elements with constant thickness, inspired by the construction rods for which the two cities are well known, with the aim of overturning a stereotype of industrial cities and celebrate their resiliance during the first covid-19 surge. The iconic red element not only is a 3 and a B at the same time, but also can acquire different meanings and shapes in different contexts.

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Designer: Dheeraj Bangur Work: Logo Design Tag: Graphic

Yuvti Royale

Yuvti Royale is a luxury fashion identity defined by a balanced monogram structure and refined serif typography. The design integrates regal symmetry with contemporary minimalism to create a timeless visual presence. Precision vector construction ensures clarity and scalability across couture labels, metallic foiling, embroidery, and digital platforms. Gold embossing enhances tactile depth and light reflection, reinforcing elegance while maintaining strong recognizability in both small and large-scale applications.

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Designer: Made Milicevic, Mag. Art. Work: Visual Identity Tag: Graphic

Resonare

Resonare is a visual identity for luthier Zeljko Catic in Dubrovnik. The monogram features a rhythmic visual rhyme between Z and C, where strokes merge with the violin bridge's natural geometry. By integrating Croatian diacritics into the instrument's anatomy, the design becomes an inseparable part of its form. This intimate signature lives within the heart of the instrument, revealing itself only as a discreet trace through the elegant f-holes.

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Designer: Updesign Work: Signage System and Environmental Graphic Tag: Graphic

Eastern Seawall

Eastern Seawall is a signage system designed for a coastal promenade in Dapeng Peninsula, Shenzhen, China. Six separate sections along a 32 kilometre shoreline are linked by one unified visual language. Signboards, site maps and ecology introductions are placed along roads and entrances. Arrows shaped by tidal flow give clear guidance. The boards are made of anti-corrosion merbau hardwood with a steel cross bracing skeleton. Modular structures allow flexible assembly on seawalls, steps, slopes and reefs, and reduce wind loads in a salty and humid climate.

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Designer: Wu Yao Work: Illustration Series Tag: Graphic

Chang'an Still

Ancient China's Xi'an was called Chang'an Xi'an. In the Chang'an Still Illustration Series, designers envision the reappearance of the scenes recalling the stories that happened in the magical land in ancient times. Look at the Big Wild Goose Pagoda in the distance, feel the city that never sleeps at night, see the magnificent Daming Palace, see the ancient city wall with a sense of story, and there are so many scenic spots people can't wait to see. The illustration series is filled with the infinite charm of Xi'an.

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Designer: Stack Glyphs Work: Characters Typography Tag: Graphic

Stacked Glyphs

In Chinese culture, a special type of character called Stacked Character refers to the character formed by overlapped glyphs. Most of these superimposed characters are uncommon and are gradually replaced by commonly used characters nowadays. So that Stack Glyphs constructed the characters using graphical symbols, collected these lost chinese characters.

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